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Garaj Mahal Kai Eckhardt (bass instrument); Fareed Haque, Eric
Levy, Alan Hertz. Personnel Fareed Haque (vocals, guitar, sitar);
Alan Hertz (vocals, keyboards, drums, percussion, sampler); Eric
Levy (vocals, keyboards); Ka...
Garaj Mahal Kai Eckhardt (bass instrument); Fareed Haque, Eric
Levy, Alan Hertz. Personnel Fareed Haque (vocals, guitar, sitar);
Alan Hertz (vocals, keyboards, drums, percussion, sampler); Eric
Levy (vocals, keyboards); Kai Eckhardt (vocals). Audio Mixer Alan
Hertz. Recording information Caution Recording, Washington DC
(07/2004). If its jaw-dropping, jazz-rock technical proficiency
youre after, look no further than this quartet of astonishingly
talented musicians. One spin of The Shadow, the head-spinning
nine-minute opener that meshes classic prog circa Brand X with a
sped-up James Brown funk attack will prove conclusively that in the
chops department, these guys are pretty much untouchable. But rather
than fashioning themselves as a contemporary version of the 70s
Mahavishnu Orchestra or Return to Forever, two obvious influences on
the bands sound, Garaj Mahal expands its palette to incorporate
elements of rap and world music. That is particularly evident on the
sitar driven Spect Rap, which shifts into the edgy, slow burn of No
Spect. Even when jamming over a driving, repetitious rhythm, as in
Massive, the layers of electric and acoustic guitar keep the
approach from getting stale, and the extraordinary individual
instrumental talents, especially from bassist Kai Eckhardt, keep the
music focused. Some of that dissipates, though, on Cosmic Elevator
when vocals with sophomoric lyrics nearly derail the quartets tough
Sly Stone funk. Things get back lt;bgt;...lt;/bgt;
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